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Live with Dakota suite

7 avril 2017

 

Theatro circo Braga, Portugal – May 20th

 

 

 

RESPIRA! Poster

Wintersong

22 novembre 2016

wintersong

Dakota suite & Quentin Sirjacq

new album on Schole/Japan

Release date : 16 december 2016

Chris Hooson / vocal – Quentin Sirjacq / piano

Live in Japan

Le nouvel album « Wintersong » de Dakota Suite (UK) et de Quentin Sirjacq sortira le 16 décembre prochain sur le label japonais Schole.
Les titres emblématiques de Dakota Suite, chef de file du slowcore avec Low ou Red House Painters, sont réarrangés en piano/voix grâce au pianiste Quentin Sirjacq.
Un titre d’album tel un appel aux amoureux de la première heure : ceux de 1998, ceux de l’ouverture de l’album Songs for a barbed wire fence de Dakota Suite.
Quelques 15 albums plus tard, à la fin de l’hiver 2015, le chanteur songwriter Chris Hooson, aka Dakota Suite, accompagné du pianiste compositeur Quentin Sirjacq, effectuèrent leur seconde tournée au Japon, à l’initiative de leur maison de disques tokyoïte, SCHOLE. Enregistré lors de cette série de concerts intimistes dans l’archipel, ce disque présente 11 des plus beaux titres de Dakota Suite, tous réarrangés par Quentin Sirjacq.
Laissant de côté les orchestrations fleuries pour un dialogue subtil d’une voix et d’un piano, Chris Hooson semble ici plus que jamais nous faire entendre son âme, et les deux musiciens capables ensemble de nous amener l’émotion des vertiges.
Art de la chose délicate et du ralentissement, précision des mots et minimalisme des arrangements, Dakota Suite et Quentin Sirjacq recherchent l’absolu et signent ici un album d’un slowcore intemporel, qui s’offre à nous à l’image d’un doux voyage, lorsque enfin nous l’acceptons. En préparation de la fin de l’année, ou simplement de la nuit prochaine, ces 11 chansons d’hiver sont autant d’hommages à ce qui nous est cher.

Album Far islands And Near Places

19 juillet 2016

far-islands-and-near-places

Karaoke Kalk / Schole

Release date : 26 august 2016

With Far Islands And Near Places Parisian pianist, composer and multi-instrumentist Quentin Sirjacq releases his solo debut on Karoake Kalk. While he has collaborated with Dakota Suite on the 2014 release There Is A Calm To Be Done for instance, this is the first release under his own name for the Berlin label.

The album expands on the sound signature and composition style that Sirjacq has been cultivating for some time through his releases on labels such as Ambiances Magnétiques, Brocoli and the Japanese label Schole where he previously put out 3 albums. On Far Islands And Near Places he notably expands on the instrumentation of his previous album Piano Memories in order to extend the resonances of the piano as well as add a more rhythmic quality to it.
The new album features a wide range of additional instruments such as fender rhodes, synthesizers, marimba, vibraphone and glockenspiel on top of the ever present piano as the central instrument. This allows Quentin to explore new possibilities and add extra layers of richness to the arrangements. The result is a truly diverse musical palette. While the core melodies are often still played on piano, as you might expect – this being the instrument Sirjacq studied at the Royal Conservatory in The Hague between 1999 and 2004 as well as music composition in Mills college USA between 2005 and 2006, there are moments of euphoric electronics such as on Bodies, which verges on a minimal club style. Other tracks on the album, Orange for example, adopt a more traditional approach. The album takes its title from the tune Far Islands, a subdued and haunting ballad centered around fender rhodes and completed with subtle percussion.
As one might expect for someone who has worked with none other than the great Fred Frith, Sirjacq’s compositions also lean towards experimentalism and avant-garde in places, as can be heard on the tunes Round Dance and Its Raining In My House which make such great use of the melodic percussion instruments; glockenspiel, vibraphone and marimbas.

In his own words Quentin Sirjacq says “I believe music today should allow us to care more about our inner life and self understanding in order to become more peaceful individuals and acknowledge the complexity and mystery of the human being.” This is exactly what Far Islands And Near Places does. The final result is for the listener to be carried on a journey through different subconscious places, by using classical composition techniques from classical music, jazz or song writing in connection with today’s way of hearing and producing music through new technologies. Such a beautiful record will no doubt appeal to fans of neo-classical, ambient and modern chamber music.